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Even higher up it gets shape where there is more wind, especially between waves. In its fuller setting, the power delivery is very smooth and the sail can still depower well as battens want to flatten by themselves. Set flatter, the Slayer becomes more direct, yet still smooth and stable.
Heavy sailors love the power, light sailors love the stable predictable behaviour and precision. The smaller sizes are flatter to handle high winds better. Our teamriders in Pozo did not want to have to go down to too small a size, you still want something in your hands, so the smaller sizes are increasingly designed for high wind control.
So in effect the whole range covers a bigger wind range than the sizes indicate. The dacron luff panel and PVC window gives a softer feel with the ability to go neutral allowing the rider to concentrate on the wave and not the sail. The higher aspect ratio also keeps the boom shorter and gives more room to maneouvre the sail, to be able to lean it more into the turn without having to change its angle, allowing to make tighter turns and get closer to the lip.
As luff length is more important than plain area, higher aspect sails are more efficient so you can rig around 0. The Slayer has the centre of effort located higher and forwards, placing the rider into a more upright, manoeuvre-oriented position and moving the sail around in turns has more effect.
It also makes water starting between waves, where there is less wind down below, easier and faster to get out of trouble. As we are very experienced sail repairers as well, we can safely say that you will not be able to find a better built sail. Summary: -bigger wind range -can be set very grunty for float n ride conditions -smooth power delivery -More drive and control in the bottom turn -Tighter turns -Faster water starting -Highest durability with average weight -Repairability.
The Slayer is best paired with the more dedicated high grip wave boards like our Wave, Haka or Reaper or similar boards from other brands. Especially in combination with our Wave V4 or V5, both board and sail enhance eachothers performance. The bottom two battens retain rotation around the mast, whilst the draft displays a deep profile placed high and forwards, the leech remaining relatively tight along its length.
So much so in fact that the sail bags out to hit the other side of the boom, particularly if you have a narrow profiled boom. As a result the bottom end grunt generated by the Slayer is impressive — the delivery soft and manageable thanks to the luff panel, yet the sail feeling firm and punchy in the hands — the mast flexing and surging forwards with every well-timed pump.
A masterful weapon for float and ride, it can get you out into the line-up quickly, before feeling compact and balanced in transition, with a dynamic measured response. Interestingly, the reference setting for the outhaul is to use both clew eyelets, fixing the boom right in the middle. From there, you can adjust according to conditions or preference — a micro-refinement in an otherwise vast tuning range. Smooth dependable power combined with stunning stability and real handling ease, it puts functionality and durability at the fore rather than any superficial niceties.
The deep shape gives the Slayer a lot of drive to get planing early. The control at the top end is wunderfull in the flatter setting but it likes to be adjusted at the boom a bit as well, then it can deliver a lot of fun for demanding sailors. It can be leaned into the turn quickly, offers drive but also can be neutralised.
Even if the Slayer does not reach absolute top results because of its slightly higher weight. The Brooks family, composed of a greedy matriarch named Rose, her husband Freddie and their two children, Jane who is pregnant and Tommy, are visiting the place because Rose wants to buy the hotel and turn it into a private club. Joining the Brooks, there is Linda Sullivan, a young architect hired to provide assistance with the renovations.
Unable to leave the island, Gary, Leslie, Tony, Jane and the Brookses are subjected to the sadism of an evil witch, who picks them off one by one, because she is carrying out a gruesome ritual. In the end, Gary, Leslie, Jane and Tommy remain. Leslie, who was a virgin, is raped during a satanic ceremony, while Jane becomes possessed by the witch and proceeds to chase the survivors through the hotel.
She eventually corners the survivors and begins to choke her little brother, causing him to drop a tape recorder she had given him earlier in the film. The recorder plays a message he had created for her, saying "I love you, Jane". This succeeds in temporarily breaking the witch's hold on Jane, who throws herself out of a window to her death in order to prevent the witch from regaining control.
Leslie finds herself in a hospital bed where she is horrified to learn that she was impregnated during the ceremony. The financial success of Ghosthouse , which was titled La casa 3—Ghosthouse in Italy, led to producer Aristide Massaccesi and distributor Claudio Lattanzi to develop an in-name only sequel.
Lattanzi pushed on producer Massaccessi to get actress Bette Davis for the role of the witch in the film, but later cast Hildegard Knef in the role. Cozzi was in turn replaced with Fabrizio Laurenti, who had previously debuted with his minute vampire film titled The Immigrant. The film was shot in Scituate and Cohasset , Massachusetts.
Witchery was released as early as 1 December in West Germany as Hexenbrut. In Italy, film critic Maurizio Porro wrote in Corriere della Sera recommended the film to genre fans who would "enjoy [ From Wikipedia, the free encyclopedia. Filmirage Production Group .
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