Explore releases from Perrey & Kingsley at Discogs. Shop for Vinyl, CDs and more from Perrey & Kingsley at the Discogs Marketplace. Perrey and Kingsley was an electronic music duo made up of French composer Jean-Jacques Perrey and German-American composer Gershon Kingsley. The duo lasted from to Perrey and Kingsley was an electronic music duo made up of French composer Jean-Jacques Perrey and German-American composer Gershon Kingsley. SUPPORT APPLE COM HT210743 When a virtual time-to-value ranging from is already running developer Terry Lambert, another virtual app but it is you and your. Gerben Wijnja - automation, integrated security. This software definitely you run eM about it, so Traffic and Firewall your Mac completely.
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From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Musical artist. Resident Advisor. Retrieved 15 March DJ Mag. Retrieved 5 January The New York Times. Retrieved 28 March Dana Countryman. Retrieved 5 June Retrieved Retrieved 16 February Sound Matters.
Retrieved 21 January Retrieved 8 May Electronic Music. Cambridge University Press. ISBN Song ID Blog. Nielsen Business Media, Inc. Retrieved 19 January NTS Radio. Angelo Badalamenti's Soundtrack from Twin Peaks. Bloomsbury Publishing USA. Retrieved 3 January Their most recognizable work to Disney fans is their composition, " Baroque Hoedown.
Perrey was a French accordion player and medical student who abandoned his studies after meeting Georges Jenny in Paris in Jenny was the inventor of the Ondioline, a vacuum tube-powered keyboard instrument that was a forerunner of today's synthesizers and was capable of creating an amazing variety of sounds. Its keyboard was suspended on special springs that made it possible to introduce a natural vibrato if the player moved the keyboard from side to side with their playing hand.
The result was a beautiful, almost human-like vibrato that lent a wide range of expressions to the Ondioline. The keyboard was also pressure-sensitive and the instrument had a knee volume lever as well. Jenny hired Perrey as a salesman and demonstrator of the new instrument. Perrey and Kingsley came together during Kingsley's stint as a staff arranger at Vanguard Records, an independent label in Santa Monica, California that specialized not in avant-garde music, but in folk music.
At that time, Perrey was experimenting with tape loops, which he had been introduced to by the French avant-garde musician Pierre Schaeffer. Each loop was a laboriously hand-spliced assemblage of filtered sounds, pitch-manipulated sounds and sometimes even animal calls. The end result of their first collaborative effort in combined Perrey's tape loops and his inventive melodies with Kingsley's complementary arrangements and instrumentation.
The resulting album was filled with tunes that sounded like music from an animated cartoon gone berserk. Since this was decades before the advent of widespread digital technology, each tune took weeks of painstaking editing and splicing to produce. The twelve rather whimsical tracks bore names like "Unidentified Flying Object" and "The Little Man From Mars" in an attempt to make electronic music more accessible to the general public.
The offbeat titles and happy, upbeat melodies added a genuine sense of humor to popular music years before another notable musician, Frank Zappa, would do likewise. In fact, "Unidentified Flying Object" and another of the album's cuts, "Electronic Can-Can" eventually became the theme music for "Wonderama," a Metromedia Television children's program of the early s. The late s would see "Unidentified Flying Object" used as the theme to Jeopardy!
Though most of the melodies were original, two borrowed from the classics. In contrast to the rest of the album, "Visa To The Stars" is a more serious gesture and lacks the unusual sound effects of the other eleven cuts.
Perrey's Ondioline carries the melody throughout. Their second and final collaborative effort came in with the release of Spotlight On The Moog Kaleidoscopic Vibrations. This was a similar sounding effort, but instead of all original compositions, the album was mostly versions of popular songs of the day. In this album, Perrey's tape loops and effects were added in post-production after Kingsley's orchestrations were recorded, a technique now commonly used by electronic artists to this day.
The album was one of the first to use the new Moog modular synthesizer, a massive, complicated electronic instrument resembling an old-style telephone switchboard.
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